Audrey Samson is an artist-researcher currently completing a PhD at the School of Creative Media in Hong Kong. Her performative installations explore how memory and technical objects are iteratively reconfigured and entangled in the context of networked data archiving. Samson uses erasure of data as a performative strategy to examine the relationship between network materiality and forgetting. In works such as Chéri, ne me quitte pas and Goodnight Sweetheart, erasure is achieved by visceral chemical degradation and embalming procedures. Her artistic approach, informed by the cultural context of technology, is ethnographical and rooted in software studies. Samson's work has been presented at festivals and galleries throughout the Asia Pacific, Europe, and Canada.